Academy Awards

• Fiddler on the Roof (1971) Directed by Norman Jewison /181 min.
• Jaws (1975) Directed by Steven Spielberg /124 min
• Star Wars (1977) Directed by George Lucas/121 min (original edition)
• E.T. (1982) Directed by Steven Spielberg/115 min
• Schindler's List (1993) Direcetd by Steven Spielberg/195 min

Academy Award Nominations 

• Valley of the Dolls (1967) (Scoring of Music, Adaptation or Treatment) /Dir. Mark Robson.
• The Reivers (1969) (Original Score for a motion picture (not a musical)) /Dir. Mark Rydell.
• Goodbye, Mr. Chips (1969) (Score of a Musical Picture or adaptation (original or adaptation)) /Dir. Herbert Ross
• Images (1972) (Original Dramatic Score) /Dir. Robert Altman.
• The Poseidon Adventure (1972) (Original Dramatic Score) /Dir.Ronald Neame.
• Cinderella Liberty (1973) (Original Dramatic Score) /Dir. Mark Rydell.
• "Nice to Be Around" from Cinderella Liberty (1973) (Song)
• Tom Sawyer (1973) (Original Song Score and/or Adaptation)/Dir. Don Taylor
• The Towering Inferno (1974) (Original Dramatic Score) /Dir. Irwin Allen.
• Close Encounters of the Third Kind (1977) (Original Score) /Dir. Steven Spielberg.
• Superman (1978) (Original Score) /Dir. Richard Donner.
• The Empire Strikes Back (1980) (Original Score) /Dir. Irvin Kershner.
• Raiders of the Lost Ark (1981) (Original Score) /Dir. Steven Spielberg
• "If We Were In Love" from Yes, Giorgio (1982) (Song) /Dir. Franklin J. Schaffner.
• Return of the Jedi (1983) (Original Score) /Dir. Richard Marquand.
• Indiana Jones and the Temple of Doom (1984) (Original Score) /Dir. Steven Spielberg.
• The River (1984) (Original Score) /Dir. Matk Rydell.
• Empire of the Sun (1987) (Original Score) /Dir. Steven Spielberg.
• The Witches of Eastwick (1987) (Original Score) /Dir. George Miller.
• The Accidental Tourist (1988) (Original Score) /Dir. Lawrence Kasdan.
• Born on the Fourth of July (1989) (Original Score) /Dir. Oliver Stone.
• Indiana Jones and the Last Crusade (1989) (Original Score) /Dir. Steven Spielberg.
• Home Alone (1990) (Original Score) /Dir. Chris Columbus.
• "Somewhere in My Memory" from Home Alone (1990) (Song)
• JFK (1991) (Original Score) /Dir. Oliver Stone.
• "When You're Alone" from Hook (1991) (Song)/Dir. Steven Spielberg.
• Nixon (1995) (Original Dramatic Score) /Dir. Oliver Stone.
• Sabrina (1995) (Original Musical or Comedy Score) /Dir. Sidney Pollack.
• "Moonlight" from Sabrina (1995) (Original Song)
• Sleepers (1996) (Original Dramatic Score) /Dir.Barry Levinson.
• Amistad (1997) (Original Dramatic Score)/ Dir. Steven Spielberg
• Saving Private Ryan (1998) (Original Dramatic Score)/ Dir. Steven Spielberg
• Angela's Ashes (1999)(Original Score)/Dir. Alan Parker
• The Patriot (2000)(Original Score)/Dir.Roland Emmerich
• Harry Potter and The Sorcerer's Stone (2001)(original Score/Chris Columbus.
• A.I. Artificial Intelligence (2001)(original Score)/Steven Spielberg.
• Catch Me If You Can (2002)(Original Score)/Steven Spielberg.

Grammy Awards

• Jaws (1975) (Best Album of Original Score Written for a Motion Picture)
• Star Wars (1977) (Best Pop Instrumental Performance)
• Main Title from Star Wars (1977) (Best Instrumental Composition)
• Star Wars (1977) (Best Album of Original Score Written for a Motion Picture)
• Theme from Close Encounters of the Third Kind (1978) (Best Instrumental Composition)
• Close Encounters of the Third Kind (1978) (Best Album of Original Score Written for a Motion Picture)
• Main Title Theme from Superman (1979) (Best Instrumental Composition)
• Superman (1979) (Best Album of Original Score Written for a Motion Picture)
• The Empire Strikes Back (1980) (Best Instrumental Composition)
• The Empire Strikes Back (1980) (Best Album of Original Score Written for a Motion Picture)
• Raiders of the Lost Ark (1981) (Best Album of Original Score Written for a Motion Picture)
• Flying ,Theme from E.T. (1982) (Best Instrumental Composition)
• E.T. (1982) (Best Album of Original Score Written for a Motion Picture)
• Flying, Theme from E.T.(1982) (Best Arrangement on an Instrumental Recording)
• Olympic Fanfare and Theme Los Angeles '84(1984) (Best Instrumental Composition)
• Schindler's List (1994) (Instrumental Composition for a Motion Picture or Television)
• Saving Private Ryan (1998)  (Best Instrumental Composition Written For A Motion Picture Or For Television)
• Theme From Angela's Ashes (2000) (Best Instrumental Composition) 

Grammy Nominations

• Checkmate (TV) (1961) (Best Album of Original Score Written for a Motion Picture)
• The Disaster Movie Suite (1976) (Best Arrangement on an Instrumental Recording)
• Star Wars (1977) (Album of the Year)
• Close Encounters of the Third Kind (1978) (Best Pop Instrumental Performance)
• Theme from Superman (Main Title) (1979) (Best Pop Instrumental Performance)
• Yoda's Theme from The Empire Strikes Back (1980) (Best Pop Instrumental Performance)
• Yoda's Theme from The Empire Strikes Back (1980) (Best Instrumental Composition)
• Imperial March from The Empire Strikes Back (1980) (Best Instrumental Composition)
• E.T. (1982) (Best Pop Instrumental Performance)
• Adventure on Earth from E.T. (1982) (Best Instrumental Composition)
• Return on the Jedi (1983) (Best Album of Original Score Written for a Motion Picture)
• Prokofiev: Peter and the Wolf -Boston Posp Orchestra-(1985) (Best Recording for Children)
• The Witches of Eastwick (1987) (Best Album of Original Score Written for a Motion Picture)
• Olympic Spirit Seul '88(1988) (Best Instrumental Composition)
• Empire of the Sun (1988) (Best Album of Original Score Written for a Motion Picture)
• Indiana Jones and the Last Crusade (1989) (Best Album of Original Score Written for a Motion Picture)
• Born on the Fourth of July (1990) (Best Arrangement on an Instrumental Recording)
• The Star Wars Trilogy (1991) (Best Pop Instrumental Performance)
• Home Alone Main Title (1991) (Best Album of Original Score Written for a Motion Picture)
• Hook (1992) (Best Pop Instrumental Performance)
• Hook (1992) (Best Album of Original Score Written for a Motion Picture)
• Jurassic Park (1993) (Best Album of Original Score Written for a Motion Picture)
• "Moonlight" from Sabrina (1996) (Best Song Written Specifically for a Motion Picture or for Television)
• The Lost World (1997) (Best Instrumental Composition Written For A Motion Picture Or For Television)
• Seven Years in Tibet (1997) (Best Instrumental Composition Written For A Motion Picture Or For Television)
• Amistad (1998)  (Best Instrumental Composition Written For A Motion Picture Or For Television)
• Gershwin Fantasy (1998) (Best Classical Crossover Album)
• Star Wars: Episode I: The Phantom Menace (1999)  (Best Instrumental Composition Written For A Motion Picture Or For Television)
• Cinema Serenade 2 (1999)
• Artificial Intelligence (2000) (Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)

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